I recently watched a video on the Nobody Oxfordian YouTube channel and it prompted me to investigate Henry VI, Part 3, Act 5, Scene 5, page 170 of the Histories, Shakespeare's First Folio (1623). The video is titled "Catalogue of Honor 1740 Oxford Shakespeare Part I" and can be found here:
https://www.youtube.com/watch?v=LFiGj1L-DRQ&t=1611s. The part that prompted me to examine page 170 of the Histories starts at the 23:17 time mark of the video.
After watching the video, I decided to use a 3-4-5 right triangle to examine Henry VI, Part 3, Act 5, Scene 5, page 170-171of the Histories. The 3-4-5 right triangle is a important concept and symbol of the Freemasons. As my previous posts show, the Brotherhood of the Rose Cross and Freemasons seem to have been involved in the production of Shakespeare's First Folio, so it seems appropriate to use the 3-4-5 right triangle to discover things in the book. Also, I have had some success using the 3-4-5 right triangle in the past, which can be seen in some of my previous blog posts.
All I have done is to scale the 3-4-5 triangle to make it bigger or smaller, and I have rotated and flipped it around to make the vertexes of the triangle touch significant words.
Now on to the examination! I encourage the reader to watch the "Catalogue of Honor 1740 Oxford Shakespeare Part I" (see link above), especially the part about Henry VI, Part 3, Act 5, Scene 5 that begins at the 23:17 time mark of the video. This post will make more sense after watching the video.
Image 1:
The 3-4-5 right triangle exactly points out three instances of "Oxford." The exactness of the alignment seems unusual.
Image 2:
In Image 2, the 3-4-5 right triangle is re-positioned to align "Edward...Oxford" with appearance of the word "Oxford" at the 45th line from the top of the page (or the 22nd line from the bottom of the page, and 22 = Twice 11, as in the Twice 11 Brethren (see video)), in "sweet Oxford thanks." The vertex of the 90 degree angle points to the line cue "Prince." The point of the vertex actually falls on the "Me" in "Methinks," which could be further clues alluding to Edward de Vere's actual status as a hidden Tudor prince.
Image 3:
In Image 3, the triangle points out "Prince Edward" (alluding to Edward de Vere being a hidden prince). ("Edward" refers to Edward Plantagenet, Earle of March, later King Edward IV, and "Prince" refers to Edward, Prince of Wales.) The vertex of the 90 degree angle points to the message "Untutor'd lad" (i.e., un-Tudored lad -- meaning Edward de Vere was denied recognition as a Tudor Prince).
Image 4:
The message in Image 4 refers to Thomas Seymour, Edward de Vere's real father. The use of the word “Grandfather” is problematic because Thomas Seymour was Oxford’s father, not his grandfather, but the word “grand” could be being used in the sense of "sweeping in ambition; noble." Also note that the word grandfather the words "perpetual shame" appear. Thomas Seymour was executed for high treason to his perpetual shame. The word children appears nearby, so the "perpetual shame" could also be referring to the shame falling on Thomas Seymour's children. In addition, near the word "Sea" (C) the word "Rocke" (R) appears, this may be a reference to the Rose Cross Brotherhood (the R.C.), and the word "Deceit" appears. Perhaps this refers to the brotherhood covering up Edward de Vere's true identity?
Image 5:
Image 5 shows another alignment of the words "Sea" and "More" (Seymour). The 90 degree vertex of the circle points to the words "the Brothers," which refers to Thomas Seymour (1st Baron Seymour of Sudeley, and Lord High Admiral) and Edward Seymour (1st Duke of Somerset, Lord Protector). The lines are "That there's no hop'd-for Mercy with the Brothers. / More then with ruthless Waves, Sand and Rocks." These words are an apt description of the toxic relationship of the two brothers, and may also refer to Edward Seymour issuing the death sentence of his own brother.
Image 6:
The title "God of the Sea" and "Neptune" are used to refer to Thomas Seymour. Thomas Seymour was Lord High Admiral of England, so the use of the title seems to refer to this office. The title "God of the Sea" and "Neptune" also seems to function as a title of office in the Brotherhood of the Rose Cross and is sometimes used to refer to Edward de Vere and Francis Bacon.
In Image 6, the 3-4-5 right triangle points out the words "Gods Name," "Sea," and "Grandfather" (in this case the vertex points to the word "father" in "Grandfather"). Therefore, this message seems to be that Edward de Vere's father held the title "God of the Sea."
As I have discussed previously, the word "Grandfather" is problematic as a reference to Thomas Seymour because he was Edward de Vere's real father, and not his grandfather. It is explained that the word "grand" may be used in the sense of "sweeping in ambition; noble" rather than to refer to an ancestor. The fact that the vertex points to the "father" portion of "Grandfather" may also be intended to focus attention only on this portion of the word.
Image 7:
Image 7 shows another "King of the Sea" message and a reference to "see-more" (Seymour). The caption at the top of the image provides further explanation.
That is all for now.
